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His commitment to the trifling particulars and nonessential technicalities is what truly brings this fantastical, NASA-saturated childhood to life. ![]() Linklater uses both trivia and triviality to cut to the core of lost time: to recapture the microcosmic details of an elusive, bygone world. The cumulative result of all these indelible memories is remarkable. The film is a sprawling diary, writ large. We witness his father stealing construction plywood to build a Ping-Pong table and ranting about the difference between white trash and rednecks we witness his friends lifting arcade games at the bowling alley to score a free play we witness his elementary school teachers paddling students in detention or rolling out the TV for rocket launch days we witness one grandmother spouting paranoid conspiracies and another taking the family to see The Sound of Music and on and on. We acquaint ourselves with Stanley’s family, neighborhood, and hometown city (Houston) on a visceral level. The minutia of childhood is all there, fully recreated. The tokens of depersonalized/public pop culture (Jello-O molds, the Vietnam war, NASA, pinball machines, littering hysteria, The Twilight Zone) truly become inseparable from the personal. Linklater conflates the large-scale and small-scale stakes so seamlessly and wonderfully that the micro and macro feel as if they are cut from the same cloth. Sure, a ton of well-treaded ’60s regalia and memorabilia are rehashed, but everything is filtered through the authentic lens of genuine, first-person nostalgia. I absolutely loved every nuanced, information-rich second of this intimate, unfiltered movie. Apollo 10½ once again taps into this undeniable talent and motif, while adding an extra dose of autobiographic heft. He’s already proved his uncanny knack for reimagining small moments of youth with specificity and clarity (from Slacker to Dazed & Confused to Boyhood to the Before Sunset/Sunrise/Midnight trilogy). With every frame, Linklater’s attention to detail is meticulous and lucid. It feels more akin to a literary masterpiece-rendered cinematic through the masterful work of rotoscope animation. Paul Keelan: Apollo 10½: A Space Age Childhood is Linklater’s painstaking portrait of an artist as a young man. ![]() Film Recommendation - Apollo 10½: A Space Age Childhood This week, Paul recommends Apollo 10½: A Space Age Childhood, Hawk was inspired to check out Stath Lets Flats, and Tim is playing Cuphead: The Delicious Last Course. They might not always be new, but they will always be things we think are worth your time. #Subtitles for cuphead rap moviePlay your movie with a video that supports subtitle and you will see the subtitle showing.Each week we gather to recommend things we’ve been enjoying lately.For example, if the movie file name is “MOVIE TITLE”, rename the subtitle file you downloaded to “MOVIE TITLE” too. Rename the downloaded subtitle to have exactly the same name with the movie.Copy the file you downloaded in step 1 above to the same folder the movie is in your computer or phone. #Subtitles for cuphead rap zipOccasionally, the download file might be in zip format, kindly extract the srt file from the zip folder and continue with the next steps. SRT file, which download link is given above.
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